Fatal Attraction, Theatre Royal Haymarket
FATAL Attraction, the chilling tale of the darker side of love which Glenn Close brought to the screen so spine-chillingly in’87, has come to the stage under Trevor Nunn’s direction.
It’s fair to imagine that many who do go to see this show are fans of the now 26-year-old film. In its day, this twisted tale of love gone sour, earned its popularity from the intensity of the actors performance, a feature which was integral to its success. It also coined the phrase “bunny boiler” for overly eager girlfriends!
This particular stage adaption, however, doesn’t quite hit the mark in that respect as many of the climactic moments in the play were diminished in impact by less than believable acting performances.
Set in fast-paced modern day New York, an attractive business man seems to have it all. However his perfect wife, daughter and career fail to satisfy his excitement and he soon becomes lured by the opportunity of love from elsewhere- “It was about curiousity, the possibility of a different life.”
However, his idea of a thrilling, yet short lived, one night stand quickly turns into a drawn out hell as he finds his choice of lover to be more demonic than divine- “I literally want to put my hands around her neck and squeeze.
Mark Bazeley played the lead male and for the first act he fitted well into the part of a confident business minded New Yorker. It was when the role was stretched to require a more emotional portrayal that his efforts fell flat.
Sex and the City’s Kirsten Davis played his perfect wife. A role, which from what could be seen, was the exact same as that of her sitcoms character Charlotte. As one would expect, Davis brought a genuine sweetness to the role but, similar to Bazeley, was unable to deliver when pushed to another emotional level, often delivering scenes of distress which made her look more confused than genuinely at her wits end.
The part of Bazeley’s psychotic lover is played by Natascha McElhone, whose performance certainly lifted the play as she skilfully portrayed both the alluring beauty and chilling predator which her role demanded. Her striking features and large, piercing eyes translated well on stage; their intensity could be felt from the stalls.
Overall, it failed to deliver too often at key points where the audience should have been on the edge of their seats. A particular scene that involved some intense violence aroused only uncomfortable laughs from the audience as the awkwardness and choreography of movement was quite literally laughable.
By all means, go and see this play if you haven’t seen the movie as your expectations may be at the appropriate level. Perhaps it just needs more time to find its feet and become comfortable in its own skin as a stage adaption.
Fatal Attraction is at Theatre Royal Haymarket, London until June 21. To book call 0207 930 8800 or visit www.trh.co.uk.
By Leah Quinn